Living Installative Piece for 3 Performers and prepared Grand Piano
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na rua - uma bola e um sol pobre - revira no lixo​

for Trumpet and Percussion
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by LAR∀S Collective
Audio-Visual Installation and Performance
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Collaboration with artist Yoana Tuzharova, Francesco Marzano, and Andrés Quezada, for Yoana's artistic project RETRO SPEKTIV 23 miniatures for Flute and Electronics. Flute: Francesco Marzano
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for Performer, Kitchen Pot Installation, Video mapping and Electronics
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Amplified Flute, Clarinet, Percussion, Harp, Keyboard, E-Guitar, Violin, Violoncello, Contrabass, Fixed Electronics, Performer and Live Video.
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contact me for a full list of works.

Chamber WORK

(Des)-Vítreo / (Un)-Vitrify (2023)

for 3 Performers, 2 Glass Plates, 1 Plexiglass, Transducer Speakers, Microphones and Light.


na rua - uma bola e um sol pobre - revira no lixo (2022)

for Trumpet and Percussion
Commissioned by Marco Blaauw

Interdisciplinary WORK

R e m o t o (2022)

Living Installative Piece for 3 Performers and prepared Grand Piano
Commissioned by Ensemble I Transiti
Project: Accanto

Orchestra WORK

in piles of blur (2022)

Spatial piece for Orchestra
Collaboration between ACANTUN Kollektiv and Sinfonietta Dresden
Project: LAYERS – Music meets the Art of Gerhard Richter


de alambre triste (2021)

for Flute, Accordion Convertor and Electronics
Commissioned by Joaquín Muñoz & Gerardo Bluhm for the Album “Acordeón y Flauta a la Chilena”

*Tracks 4 to 8*


Üb, Collections (2021)

for Clarinet, Horn, Trumpet, Percussion, Piano, Violoncello, and 6 Mini Speakers


Estudio de la especialidad - Y las aves… (2021)

for Chamber Orchestra
Commissioned by Rodolfo Fischer for the “Orquesta de Cámara de Valdivia”

Interdisciplinary work

#queseacabechile (2020-2021)

for Performer, Kitchen Pot Installation, Video mapping and Electronics – 27’

#queseacabechile is a solo performance for performer, an installation of cooking pots, projections and electronic music. Through these various elements, the viewer enters a space that confronts him/her with a static body that varies between an offensive and defensive position.
The performance is based on the Chilean political context that emerged on October 18th, 2019, as a social outburst, which resulted in a series of human rights violations by the police and military.
#queseacabechile attempts to represent the notion of collectivity from a single individual, and from the multiplicity of the pots, which derive from an act of protest known in Chile as “Cacerolazo.” #queseacabechile is a hashtag used by people in Chile to condemn different aspects of the social, economic and political situation in Chile. This name was taken as a title, because of the importance that social networks took at that time for the dissemination of police violence.


Digressing (2021)

for Flute, Clarinet, Marimba, Violin and Violoncello
Comissioned by Cecilia Castagneto
Project: “Frauen im Schatten”

Interdisciplinary work

SURCO (2020 - 2021)

by LAR∀S Collective
Audio-Visual Installation and Performance – 45′


corteza crepitante, ruge (2020 - 2021)

for amplified Bass Flute, Bass Clarinet, Violin, and Contrabass
Collaboration between ACANTUN Kollektiv and Ensemble El Perro Andaluz
Project: “Tempel im Gehör.”

Listen in Soundcloud


Lophorin(o) (2020)

for Percussion Quartet
Commissioned by Grupo Percusión Valparaíso
Listen to the full Album


abulia incuriae (2020)

for amplified Flute, Violoncello and Piano
Commissioned by Fundación Teatro del Lago for the project “Creaciones bajo Contagio”

chamber work

Hendiduras Friccionantes (2020)

Commissioned by Ensemble Intercolor

Visual WORK

Steinchen (2020)
das vielfache ich

Small house-made collaboration with composers Alberto Arroyo and Anton Kuznetsov for #stayathomeandbecreative, during the first 2020 lockdown.


La triste (2019)

for 2 Oboes

Commissioned by Dúo Sereno

chamber work

Reflexively Stagnant Throb (2019)

Written for IMPULS Festival für Neue Musik Sachsen-Anhalt
Premiered by Ensemble Linea, Ensemble Tempus Konnex, Wieland Wagner and David Costello.

solo work

[ -. .- -.. .- ]

 for solo Clarinet in Bb

solo work

Red-blinded-like (2018)

for Singer/Performer (and optional tape)
Written for MehrLicht!Festival

The composition is based on the word “wait”, coming from the APS (Accessible Pedestrian Signal) voice found in the US pedestrian lights, which gives “walk” and “don’t walk” signals. When pressing the APS button, a recording comes out saying “wait” every few seconds, until the “walk” signal is given. This little piece takes the topic mehr licht from a negative point of view. APS signals are designed for blind or sight-disabled people, who have to “listen” to the lights, in a figurative way, instead of looking at them, fact that many times produces confusion when many of these recordings are found together in a big crossing, overlapping each other. As much as many sight-disabled people are used to this kind of systems, there’s also a big number of them that have difficulties adapting, especially when their condition was acquired at a later age. 

The work re-constructs the word wait over time. A simple deconstruction of the word was made, in order to be able to re-build it later. Simple, because of being a short word of one syllable.
The base of the composition are the phonetics of each letter: /w/; /ə/; /i:/; /t/
Then the middle hiatus was added: /eɪ/
The word wait is constantly being reproduced throughout the composition in morse code.

Orchestra WORK

Recuerdo de Ahora (2016-2017)

for Orchestra


Vaho albo del este (2018)

for Acoustic Guitar


Sentí pasar...restos de cielo, nube en cuna (2016)

for String Orchestra and Timpani

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